Georgia Scheerhout reclaims the queer history of the bathroom in the face of polarising political debate.

Thea Redmill, Co-President of Embrace, reflects on her experiences working with Embrace and local charities to combat inequality and poverty in Cambridge

Nadia Sorabji Stewart explores the dark inner world of Portia Zvavahera’s monographic exhibition Zvakazarurwa, meaning ‘Revelations’.

Danny Petrie analyses Patrick Flegal’s journey through a foggy rock netherworld

RAID brings Cambridge a new club night, EDGE, with the hopes of cementing queer clubbing in the nightlife calendar.

Aurora Sturli reviews Thunderstorm at the ADC

Aurora Sturli reviews ‘Jellyfish Brain’ which sees you question love

“Evie Chandler’s adaptation of Oscar Wilde’s play Salomé offers an ambitious and compelling adaptation that works in its favour.”

Jay Palombella shares his reflections on Matisse’s sketches in light of their influence on the life and work of composer Francis Poulenc.

“Navigating adulthood is like moving through water, not quite swimming and not quite drowning”: Eve O’Donoghue on girlhood and growing up.

Olivia Frith-Salem pores over the delicately crafted scene, viewed through a prism where reality and fiction crystallise.

Megan O’Neils caustic yet glimmering depiction of depression is a must-watch, voicing the unsaid trivialities and deep exhaustion of living with depression

Kiko Gomersall reflects on this year's Lent Term Musical with enticing lead performances and captivating design, but not quite satiating.

Harry Donoghue looks forward to the 10th of March and hopes Oppenheimer wins big.

Lakshya Ravikumar argues BME Shakespeare’s Eurocentric presentation of Cleopatra was a deliberate choice to underscore Shakespeare’s timelessness, but it may have been more powerful to reject English quaintness.

Actors, Lania Hamilton and Flossie Adrian, discuss preparing to perform  Made of Light (directed by Raffaella Sero and Keziah Prescod, written by Lania Hamilton) at Christ’s College Chapel. 

‘One strike and you’re out…’: Mullings and Barros Rocha craft a play that superbly encapsulates the precarity of black identity politics in a predominantly white space.

Alice Burton dissects the fish-eyed world of Yorgos Lanthimos’ latest creation.

Netflix’s new thriller loses itself in an attempt to portray the apocalypse.