Olivia Frith-Salem pores over the delicately crafted scene, viewed through a prism where reality and fiction crystallise.

Megan O’Neils caustic yet glimmering depiction of depression is a must-watch, voicing the unsaid trivialities and deep exhaustion of living with depression

Kiko Gomersall reflects on this year's Lent Term Musical with enticing lead performances and captivating design, but not quite satiating.

Harry Donoghue looks forward to the 10th of March and hopes Oppenheimer wins big.

Lakshya Ravikumar argues BME Shakespeare’s Eurocentric presentation of Cleopatra was a deliberate choice to underscore Shakespeare’s timelessness, but it may have been more powerful to reject English quaintness.

Actors, Lania Hamilton and Flossie Adrian, discuss preparing to perform  Made of Light (directed by Raffaella Sero and Keziah Prescod, written by Lania Hamilton) at Christ’s College Chapel. 

‘One strike and you’re out…’: Mullings and Barros Rocha craft a play that superbly encapsulates the precarity of black identity politics in a predominantly white space.

Alice Burton dissects the fish-eyed world of Yorgos Lanthimos’ latest creation.

Netflix’s new thriller loses itself in an attempt to portray the apocalypse.

Tirza Sey praises Fairview in its subversion of the typical spectator-actor dynamic, shining a harsh light on our own unconscious biases.

Ethan Walker and Eanna Ferguson share the inspiration behind Cambridge Northern Soul Train, a night celebrating an historic culture, opening both new and old pathways within Cambridge clubbing.

Harold Pinter’s play keeps its absurdist elements but is beautifully recontextualised to depict the tragedies of dementia and Alzheimers.

Tirza Sey talks to the team behind an unorthodox and gritty reimagining of Shakespeare’s classic, Romeo and Juliet.

How far would you go to ‘fit-in’? How the only Black character in Saltburn makes us consider the intersections of power, privilege, race and belonging.

Maia von Malaisé looks back on Ella Scott’s debut stand-up show, which explores the ‘inner critic’ with an impressive blend of sincerity and playfulness.

Raphael Morter delves into the final release from a timeless band and why its success matters.

Tirza Sey discusses the powerful healing role RAYE’S music has played in her life.

‘This film feels at once like a hug, a punch in the face and an awkward first kiss’: Olivia O’Neill on Bottoms and the power of queer stories.

Mark Holland reviews the recent production of Cleansed at the Fitzpatrick Hall which delivers on a powerful and visually striking vision for the play.